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[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.

Cow herding.

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A jazz singer who abandoned her mentally handicapped daughter at birth tries to reconnect with her. The dialogue, though not easy, is gradually re-established with the help of the “Hammer Fishes”, a rock band made up of patients from the institution.

Julian March is unhappy with his wife, his family and his mistress. His detachment and coldness bring darkness to the March family and those around them. Will he realize his emotional alienation and move on before it is too late?

Passers-by on a street market in Marseille.

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